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This backstory is especially relevant in the erotic portrayal of D.Va-who according to Blizzard Entertainment’s official lore is a former esports champion.
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Footnote 1 While this material often takes deliberate artistic license with their depiction of the Overwatch heroes, in the processes of reproducing the characters into a sexualized context the artists and performers involved carefully convey a sense of their official aesthetic and backstory. It also prominently features in animated pornography made with 3D game engines and various other forms of fan-made art, which for reasons of space will not be discussed in this chapter.
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Overwatch sexy gay men wallpaper professional#
Overwatch pornography is made in many formats, from professional pornographic digital films available only to subscribers, and repurposed footage of online sex workers from webcam modeling sites, to high-quality erotic photography available through OnlyFans or Patreon subscriptions to streaming or cosplay microcelebrities. While Overwatch attracted this quality of attention from many, not all of those interested in “Overwatch” pornography may consider themselves players, nor do all players necessarily make use of these pornographic materials.
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In January 2017, only a little over half a year since the game’s release, Pornhub announced that “Overwatch” was the 11th most common search term for 2016 in their annual “Year in Review” (Pornhub’s 2016 Year in Review 2017). As such, it encapsulates the contemporary zeitgeist of the intersection of pornography and esports. The problematic pornographic themes reinforce the notion that Overwatch-and by extension esports, and gaming cultures more broadly-are predominantly masculine and do not welcome women. In the case of Overwatch pornography, several misogynistic themes from pornography re-surface, but in a manner that is demonstratively peculiar to the sensibilities of the game. Both mainstream pornography and gaming cultures, of which Overwatch is a part, have widely identified misogynistic elements (Consalvo 2012 Tranchese and Sugiura 2021). Discusses misogyny in gaming cultures by examining the misogynistic themes in mainstream pornography featuring Overwatch (Blizzard Entertainment 2016).